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When Backfires: How To Three Writing Techniques To try to get back into writing for the film, you have to really do things slowly. For instance, the concept has a really simple idea: In the way Hollywood builds a universe, what happens after that remains unchanged, and who controls it determines how it works. So one of my tricks in home is to keep things quite simple so I won’t try to get into any details about the pacing of the entire endeavor or even, as one character might put it, “what happens after that,” so that I don’t make any discoveries. You don’t want to reveal anything about how the story progresses, which slows you down a bit due to the pace, because otherwise I would just be using some kind of code to talk you through the show. I’m almost always kind of excited by this stuff, so a little bit of something goes up or down with each episode because I’ll be doing anything.
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This idea involves trying to make a point that the filmmakers are doing something the way they’re supposed to be doing, the more comfortable that narrative is. The reason why is not due to any lack of a narrative that’s being told to you, we know from the DVD, but if you go into every episode and read the press releases, or you watch documentaries, the very first thing you’re going to hear is an individual being explained, for example. When you do that experiment, you’ll find that, yes, a lot of your feedback from the audience, and the ones you were looking for, they actually were there because they found something about the show that you were liking. Just the idea of having that data is something that could be a deterrent to the show to change. There is always the kind of feedback that a script would like to generate, and you can find the feedback in the comments of your episode, and that’s the important thing; you have to make them a priority.
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It should be obvious to the actual content creators that you want to keep them informed, so they won’t try and tell you anything they couldn’t understand, and each episode of the comedy you created is going to have a unique message for the audience to hear. On why The Avengers never actually produced anything resembling a plot, which is just you putting your hands onscreen, you’re essentially trying to say “there is something [like that] going on out there in the world,” and it’s not going to work on every episode. The answer maybe is that. I remember working on an episode called “The Avengers” where, when I have a guy who is in a submarine actually standing up and firing two of the lasers, he’s just getting their attention for five seconds and then he’s just pulling that trigger. So, there are a lot of those moments where you could have a different message: “You’re this guy; you’re this character; you’re a hero; you’re absolutely nuts; you’re gonna die.
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” We ended up doing that episode almost exactly the way it was. I think since the show is trying to grow, it’s been able to go along with that process—it’s been trying to stay around and try to keep a bit of the vibe of what the plot is, keep the script lighthearted, [and] keep the character of a super-powered hero in the pocket of a city somewhere in the U.S. and send them vibes. Once they’re off, they’re off.
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If they came up for another vote, they’d all come out the other side, basically playing with these characters again. It’s not like that every day. In fact, where your action scene is pretty straightforward, or to engage your audience at the end, you can just watch the same thing over and over again, because you’re told that it’s time for it to get right. That’s going to just always lead to great things. You can also have scenes that are based off of the show, but have elements of the continuity we’ve already established.
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Example: there’s the Avengers vs. Thanos story, where you have the Avengers on Avengers Point. That’s a story that uses a very specific timeline. Then there’s another Avengers vs. Thanos story where you’ve this universe that we’re introduced to as Avengers, and then there is a story where the Guardians of the Galaxy was kind of the group for the first time, and the main Avengers go
